A few weeks ago, I went on
a date with three women. We split a 16" pizza with 8 toppings and talked
about the men we had married (and in some cases, divorced.) We also talked
about the novels we were writing. Through the entire meal, my heart pounded. I
knew the three women were evaluating me. It was, in effect, a first date.
At the end of the meal, I
had apparently passed muster and was deemed worthy. I was invited into their
critique group--which was exactly what I'd wanted ever since I'd heard of the
Attic Girls--a play off Stephen King's reference to his muses, the "boys
in the basement". (Actually, my muse is male and looks like Orlando Bloom,
but that's not the point.)
I'd joined many critique
groups before, but why did I want to join the Attic Girls so badly? What makes
a critique group good? Obviously, you want to be with strong writers whose
feedback can help you grow, but it turns out, the volume of work you can get
critiqued over a realistic timeframe is equally important.
Before I joined the Attic
Girls, I was part of a critique group that met once a month. The group was
large, about 20 to 30 people. Given the size, you could only read about 3 pages
of your work. Let's see…I can write a novel of 85,000 words in three months,
and in three months of the critique group, I'd be able to share 9 pages of my
novel? Out of 200+ pages? That's hardly enough feedback to make a difference to
the novel.
I then found another
group. This one met twice a month, and it was about half the size of the first
group. You were encouraged to bring 5 pages of your work. Much better. Even so,
over three months, I'd be able to share only 30 pages of my work. Better than 9
pages, of course, but still a far cry from 200+ pages.
The Attic Girls, on the
other hand, meet every week. Each week, two days before the meeting, we send
our work to each other by e-mail. We read the documents on our own time, and
then spend the meeting itself providing feedback. The volume of the work you
send out is up to you. The Attic Girls didn't seem to flinch at the 15-page
document I sent out last week. Think about it, 15+ pages a week…60+ pages a
month…180+ pages in three months. That's almost my full novel. The Attic Girls
provide timely feedback that allows me to keep up with my publishing schedule
of three books a year.
In addition, the beauty of
a small and consistent critique group is that your fellow writers grow with
you. They figure out your style. They know if you're writing hard and trying to
find the best turn of phrase or if you're just coasting along with acceptable
but mediocre sentences. Best of all, because we meet in person, we hold each
other accountable. If someone doesn't offer something up for a reading two
weeks in a row, we call her out.
The Attic Girls don't
replace my faithful cadre of beta readers, but where my beta readers enjoy the
whole story and are tasking with calling out major plot holes or character
lapses, my critique group focuses on the details that well-trained novelists
notice, like POV shifts. The Attic Girls are the people running beside me in
that endless marathon instead of just cheering from the sidelines.
If you don’t already
utilize a critique group, I strongly encourage you to join one. It doesn’t
matter if it’s large or small, online or in-person. It’s important to connect
with other writers and to learn how to give and receive feedback. Perhaps one
day, you’ll head out, as I did, on a nervous first date with a fabulous
critique group.
